The Lord of the Rings • The Fellowship of the Ring | Book Two

I kept putting this off and it probably won’t be as interesting or insightful as my last post. But I want to get it done, so I can keep up my reading (and remain loosely in-sync with the in-story timeframe.)

There were two overarching subjects I want to discuss:

  • plot
  • writing inspiration

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Writing Week • this and that [1/1/18-1/8/18]

Well. It was harder than previous weeks to write this post. Not because there was a lot to write about — far from it! — or because there was nothing to write about — though that may have aided the cause — but because I was so frustrated with having to write the post at all. Not about the content or purpose of the post, no, but that I didn’t really want to write it when I initially sat down because I had something else I wanted to do.

Aside from that personal revelation, if I had to describe this week (and the new year) thus far, it would be: mountains of questions and a particular peak with murky holes and crags, which ultimately turned out to be mostly imaginary.

To wit: I, once again, struggled to make sense of all the tales, contradictory, repetitive, or otherwise, that compose my NaNo 2017 story and the backstory behind it. In particular, the chronology of all the tales, etc. This struggle was re-ignited by my desire to write the tale that caused me the most trouble during November last year, and the one which I ultimately cut because it didn’t fit what the story become.

But as I struggled to make sense of the chronology, I started to suspect that this particular tale might not be ready to be written. Though seeing The Greatest Showman on Saturday may have helped in a very, very, very roundabout way. If asked to explain how…the best I could say is positivity over despair. And stars.

That said, I’m tentatively thinking of using this cut tale for NaNo this year. I shall see.

A few other writing things of interest:

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Slumber of the Moon • Tale of the Princess | ch. 5

Chapter Five: Waltz of the Lost {Valse de la perdue[1]}

“We’re are we going?”

Veranna had led Iren to the northern end of the palace. Compared to the rest of the place, the hallways were smaller, adorned with stone beasts, whose mismatched beaks, paws, and snake tails were chipped and worn. Less glass hung from the ceilings and even less composed the walls. The endless parade of gold fretwork was overrun by silver; ornate glittering grayness crowned the windows. Frayed curtains hung over these wider windows, which looked out into the forest. A mist hung upon the canopy, filtering sunshine into rainbows.

“Close your eyes. Please?”

She had stopped before an iron door. An engraved trellis grew up the sides, with spiraling branches of roses, lilies, and daisies in consecutive circles on the front. A single silver doorknob lay in the middle.

“It is not dangerous. I promise. I just…I wished to show you this…place.”

“I wasn’t worried about that.” Iren glanced down the hall. “This place is a bit different than the rest, isn’t it?”

“It’s the oldest part of the City.”

“Huh.”

Doing as Veranna asked, Iren closed his eyes. He heard the door creak open, like the joints of an ancient dame. He caught the scent of old paper. Veranna’s light footsteps led further inside and she called to him.

“You can come in now.”

Iren slid a foot forward and opened his eyes.

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Writerly Notions: romance and choice

I re-read a story I wrote about a decade ago and hadn’t thought much, except for a few blimps of contemplative revisions, and…wow. What stood out to me was not what I was expecting.

I remembered that the plot, and thereby one of the MC’s choices and decisions, didn’t really make sense. She’s looking for someone, but decides he’s been captured by hunters specifically out to hunt demons. Later in the story, she even acknowledges that her deduction that the hunters captured him didn’t make sense. This kind of illogic, acknowledged in the text, happens a couple a times. But I remembered that. I expected that.

(Aside: after the midpoint of the story — literally and potentially plot-wise — the action and tone of the story fits a little better. Though it suffers more from a lack of explanation. Like she’s looking for a specific healing spring but ends up at the heart spring. And somehow she just…knows? It’s a little weird.)

What I didn’t expect was how much I would dislike the romance in the story. By romance I mean the attraction/getting-in-a-relationship kind. And the wildest thing about how I wrote a developing romance a decade ago is I can see why I wrote it the way I did then.

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Writing Week • story sprinkles [12/18/17-12/25/17]

Originally I was going to use the last two weeks to reminisce about my writing and the odd, disorderly tale it’s been (and continues to be). Until I realized that next Monday is New Year’s Day/1 Jan 2018.

So I paused and thought: what have I done this week, in regards to my writing?

Mostly it’s been little snippet writing, scenes that aren’t about anything specific and some that are. Most inspired by movies I’ve watched recently, others sprung from a desire to write. (As I haven’t really been writing anything all month. At least not with the same singular consistency as I did in November and the months before.)

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Writing Week • stuck (12/12/18-12/18/17)

It’s been one of those weeks where I have lots of ideas, but nothing done.

At the beginning of December, I finished a biography that reminded me of myself when I started writing and old characters ideas, and from there to older stories, all complete but not fully revised or finished.

So I took some time and just…wrote up my thoughts on my stories. I actually used to write a lot of my thoughts about my writing, my writing process, and my stories. What’s equally fascinating is how I’d be leery of posting those kind of thoughts because those are very…mm…specific?

I name characters and places and the interlay between them. I reference ideas that may not be valid and it’s all written in the vein that anyone reading it will know what the references mean, what the history behind the references is, who the characters are, and what the connections are about.

So I’m leery because I don’t think my more useful thoughts would actually make sense to anyone reading this. Because it’s over a decade of ideas and characters and shifting stories. (And that’s not even taking into account some of my Nights of Heroes stuff — characters and stories — which is about twice as old.)

Sorry for the bland post. As always best wishes and writing!

Writing Week • NaNo 2017 (11/4/17-11/11/17)

The most prominent writing I did was NaNoWriMo. It’s kind of surreal writing a story that I have (and know) so much backstory about. Like whoa. There’s reasons and stories and such that probably won’t appear explicitly in it, but which have significance to the plot and characters. 

Also, since I’ve been writing a lot by hand, I haven’t posted as much as I’d planned to. The first story (Tale of the Princess) is finished, as of yesterday, and the next two stories should be relatively short. And then I can get on writing the second part. 

I’ll be the first to say that my NaNo story is, perhaps, not the most universal (I’ve never been good with understanding experiences deemed universal for humans), nor the most diverse. But it contains themes and ideas that have, apparently, been congealing inside me for over a decade. (Admittedly, I have other stories and ideas that are much older…)

Some of these include:

  • A fractured being and the consequences; having been fractured and having fractures stitched or impaled onto one’s essence or soul
  • A shining prince and/or hero who saves the world (but doesn’t) and has a sister (but doesn’t), who turns him into his shining self through her love (which she doesn’t); tales that build up blame on a woman for being wicked, as a witch or the prince’s sister or from curiosity or being selfish and vain 
  • The layered accusatory tales against monsters and demons; the difference between belief in the dichotomy of good & evil and creatures whose lifestyles and functions can be coded as “bad” or are incongruent with human life and development; also the difference between creatures that live incongruous to human welfare and controlled self-righteous possession/manipulation 
  • The woman who has suffered forever and lives in unending pain; can she be free? can she be healed? also that she deserves it for being wicked or corrupt

Will all these be equally prominent? Probably not. Do some of these (especially the monsters and demons) appear in nearly everything I write. Oh, yes!

Best wishes and writing!