Writing Week • this and that [1/1/18-1/8/18]

Well. It was harder than previous weeks to write this post. Not because there was a lot to write about — far from it! — or because there was nothing to write about — though that may have aided the cause — but because I was so frustrated with having to write the post at all. Not about the content or purpose of the post, no, but that I didn’t really want to write it when I initially sat down because I had something else I wanted to do.

Aside from that personal revelation, if I had to describe this week (and the new year) thus far, it would be: mountains of questions and a particular peak with murky holes and crags, which ultimately turned out to be mostly imaginary.

To wit: I, once again, struggled to make sense of all the tales, contradictory, repetitive, or otherwise, that compose my NaNo 2017 story and the backstory behind it. In particular, the chronology of all the tales, etc. This struggle was re-ignited by my desire to write the tale that caused me the most trouble during November last year, and the one which I ultimately cut because it didn’t fit what the story become.

But as I struggled to make sense of the chronology, I started to suspect that this particular tale might not be ready to be written. Though seeing The Greatest Showman on Saturday may have helped in a very, very, very roundabout way. If asked to explain how…the best I could say is positivity over despair. And stars.

That said, I’m tentatively thinking of using this cut tale for NaNo this year. I shall see.

A few other writing things of interest:

Continue reading

Advertisements

Writerly Notions: romance and choice

I re-read a story I wrote about a decade ago and hadn’t thought much, except for a few blimps of contemplative revisions, and…wow. What stood out to me was not what I was expecting.

I remembered that the plot, and thereby one of the MC’s choices and decisions, didn’t really make sense. She’s looking for someone, but decides he’s been captured by hunters specifically out to hunt demons. Later in the story, she even acknowledges that her deduction that the hunters captured him didn’t make sense. This kind of illogic, acknowledged in the text, happens a couple a times. But I remembered that. I expected that.

(Aside: after the midpoint of the story — literally and potentially plot-wise — the action and tone of the story fits a little better. Though it suffers more from a lack of explanation. Like she’s looking for a specific healing spring but ends up at the heart spring. And somehow she just…knows? It’s a little weird.)

What I didn’t expect was how much I would dislike the romance in the story. By romance I mean the attraction/getting-in-a-relationship kind. And the wildest thing about how I wrote a developing romance a decade ago is I can see why I wrote it the way I did then.

Continue reading

Writing Week • NaNo 2017 (11/4/17-11/11/17)

The most prominent writing I did was NaNoWriMo. It’s kind of surreal writing a story that I have (and know) so much backstory about. Like whoa. There’s reasons and stories and such that probably won’t appear explicitly in it, but which have significance to the plot and characters. 

Also, since I’ve been writing a lot by hand, I haven’t posted as much as I’d planned to. The first story (Tale of the Princess) is finished, as of yesterday, and the next two stories should be relatively short. And then I can get on writing the second part. 

I’ll be the first to say that my NaNo story is, perhaps, not the most universal (I’ve never been good with understanding experiences deemed universal for humans), nor the most diverse. But it contains themes and ideas that have, apparently, been congealing inside me for over a decade. (Admittedly, I have other stories and ideas that are much older…)

Some of these include:

  • A fractured being and the consequences; having been fractured and having fractures stitched or impaled onto one’s essence or soul
  • A shining prince and/or hero who saves the world (but doesn’t) and has a sister (but doesn’t), who turns him into his shining self through her love (which she doesn’t); tales that build up blame on a woman for being wicked, as a witch or the prince’s sister or from curiosity or being selfish and vain 
  • The layered accusatory tales against monsters and demons; the difference between belief in the dichotomy of good & evil and creatures whose lifestyles and functions can be coded as “bad” or are incongruent with human life and development; also the difference between creatures that live incongruous to human welfare and controlled self-righteous possession/manipulation 
  • The woman who has suffered forever and lives in unending pain; can she be free? can she be healed? also that she deserves it for being wicked or corrupt

Will all these be equally prominent? Probably not. Do some of these (especially the monsters and demons) appear in nearly everything I write. Oh, yes!

Best wishes and writing!

Writing Week • 10/8/17 — 10/14/17

This was a much better week.

Let’s see…

I delimited the contours of story variants. I’m not sure how to explain this other than…having a multitude of ideas all crammed together and having to sift them apart. 

I reflected back on my earliest writing that featured any content related to my demons. Re-reading that (along with reading LotR currently) has reminded me of where part of the impetus of my demons, as a created species, arose from. 

I also realized (or remembered) that the initial emotional crux wasn’t only related to the Moon. Which explains why the story was ordered the way it was in my first draft. I also will have to delete a huge hunch of material, because 1. It doesn’t fit historically, and 2. I felt it put too much of the conflict’s weight on the gods rather than the demons and that’s been a sore spot on me for awhile. 

I continue to work my way through the Nights of Heroes 100+ character compilation, finalizing names, years of birth, and rudimentary backstory.

I feel like I’m forgetting something, but this will have to do. I hope for one of these recaps’ I’ll be able to dig in a little more about what I’m talking about. More details and more personal reflection. Or maybe I should pick a stand out point and focus on that. That’s an idea. I’ll see how I feel about it.

Best wishes and writing!

Writing Week • 10/1/17 — 10/7/17

It’s been an odd week. 

Also, I have a mild headache, probably from getting distracted on the Internet (tumblr specifically, so it wasn’t like an info-inspiration hole, just the imprint of others’ thoughts and creative projects into my active consciousness) when I had wanted to revel in the sense of openness and work on a few odds and ends, but …nope. Internet. As one does.

Anyway. 

I HAVE discovered that a technique used in an old (and now moot) revision may be what I need for Nights of Heroes. I’d been trying to figure out to parcel out the plot via characters. But it’s soooo much easier to:

  1. break into plot categories 
  2. categorize characters into plots 
  3. work out how their wants interact and effect the plot

Also did some fine-tuning on types of magical imprisonments: 

  • types of magical being
  • type of imprisonment
  • type most likely to be sought be different antagonists

But it does bring out how odd it (still) is to me that Disney’s Aladdin operates in a world where jinn are automatically enslaved. (Unless that’s some quirk of it being a wish…)
Sadly, I’ve only made minimal progress on “White Tree.” 

Did a lot of drawings for Inktober. That’s been taking up my writing attention. Cause deadlines! Bleh. Though to be fair, I did enjoy the load of Dreams drawings I did. Also love drawing those characters. But I have missed writing. I’ve just been off, I guess. A bit tired and a sense of feeling over-ambitious but only getting a bare minimum done. (And being me, I have had medical-inspired anxiety about it!)

Sorry for the downer post. I guess there isn’t much to say.

Oh! I forgot. I tweaked a bunch of chronological info and got a better sense of when events happened in lieu of each other. Yay

Writerly Notions: Stress & Focus

This morning I spent a few hours calibrating and analyzing what causes me stress and my stress levels. Or more specially “needling things that send me into a mental whirlwind panic/confusion.”

I won’t go into the details. Suffice to say, the categories of Creator, Writer, and Promotion feed off one another to create the highest levels of stress and the highest amount of stress. Additionally, as with this blog, some of the trouble comes from the simple question of: what am I doing? What do I intend? (I hope I’ll be able to post my thoughts on that, which have been waiting in my drafts, soon.)

A few, unrelated tidbits I learned about me and my writing today:

  1. a playlist I made of songs I can listen to over and over without getting sick of them lend themselves to worldbuilding and character development in Nights of Heroes. Which is interesting since it may imply that if left to it, I might think about that series a lot.
  2. I realized the third section in my recently complete novel (which is in revision) is more incomplete than I realized. Getting a handle on the chronology has helped a whole bunch (i.e. cementing dates so they don’t wiggle around; I have a tendency toward flexible dating…) Additionally, I realized why the second section comes off as different than the rest — it has subplots! The trouble is I’m unsure how much the content of those subplots plays into the larger story. So anyway, it gives me focus. I can work with that.

Sorry if this was a short and brusque.

I took an iPad photo of by analysis notes, if anyone’s curious.

Continue reading

Writerly Notions: What to do?

So I’m in a bit of a muddle. (Also, don’t mind me, I’m just clearing my thoughts.)

What should I work on? Okay, scratch that. Should I write the final section of my long, long, long overdue demon mythology story, even if I’m not 100% sure it actually makes sense, nor do I know what’s happening? Or should I try to make it all fit together?

And see, that’s the hitch. A lot of ideas I’ve had post 2010 (Romance of Three Jewels, The Painting Story, NIAR, 12D + Bluebeard) actually have structure. Story structure. Conflict. Character arcs. Story stages. Do I know every detail? Probably not. Do I have enough to see how the plot connects and how my characters will grow and get from one story stage to the next? Oh, yes.

But I have at least three major projects that came before 2010. And it’s a pain because they’re not, well, as well structured.

Continue reading